Ma(r)king Time 25 March 2019 Monday Day +57 Intimacy I have been watching AOC with huge interest. She is the embodiment of the person I hoped would one day make it down those “hallowed halls”–at least she seems to be. … Continue reading
12 November 2018 Monday. 76 days PINK is my guiding color. Aunt Jill is my leader for this period and has told me to write my dreams, which I do. I learn that if I write a few words of … Continue reading
Mar(k)ing Time 100 days until my 40th Birthday 19 October 2018 Friday. Black Ponderosa, a Dance community outside Berlin. Mar(k)in Time is a personal project I am initiating to count down the last 100 days of my 40th year. I … Continue reading
I am pleased to announce that MUTHA Magazine published this piece that I wrote on Mothers Day, inspired by a series of conversations with my kid about Dada’s Day and what its like to be a girlboy. http://muthamagazine.com/2018/07/mad-kate-dada/ Pictured: Me … Continue reading
HYENAZ latest multimedia work, PROXIMITY, has been released by Interim: A Journal of Poetry and Poetics for their Body Issue. This issue has been carefully curated by Autumn Widdoes, who took the opportunity to integrate her background in dance, performance, … Continue reading
Photo: Jo Pollux from WOMBmamapapadadaHOME at nGBK Gallery Berlin with my coparents Sadie Lune and KAy Garnellen Thank you Umstandslos for publishing my thoughts on queer family and queering resistance. https://umstandslos.com/2018/02/16/queering-family-queering-resistance/ Kathryn Fischer alias Mad Kate describes in her text … Continue reading
Video
Dear You.
Well one might look at you strange, and wonder in what way you are actually connected to this child. Whether or not you had an affair with the person you are with at that time and are not a birth … Continue reading
Switch/Blade. Switch as in . Code switch my tongue class switch my passing entering the hotel walking passsssst the desk identity desire types and shapes switch gender switch Blade as in. cut skin. Skin enclosing selv(es) enclosing your … Continue reading
(This body is) thinking a lot about performance as practice1; as the moment or frame of engaging the radical imaginary2. The “moment” is the duration of the piece, which could be one second, three minutes, twenty minutes, several days, a … Continue reading